Compositions
- Balon (2008) , for sampler and ensemble
- Nebula (2007) , for sopran, violin, double bass & piano (4 hands)
- one.mooooooore... (2007) , for 11 musicians
- Par (2006) , for string quartet
- .......CCCCCODDDDDDDD::::::::: (2006) , for 8 musicians & 5 dancers
- Naifa (2006) , (2. version) for 9 musicians
- Bardo (2005), for Ensemble (oboe, clar., double-bass-recorder, sheng, e. guitar, piano/4 hands, violin, cello, double-bass, 4 perc.)
- deflection (2005), DVD, Antonis Anissegos / Erika Matsunami (picture), Antonis Anissegos (sound), Niklas Schmincke (sound engineer)
- Naifa (2005) , for Saz, Piano and String-Quartet
- modus operandi (2004-05) , for 1 percussionist
- Typaio, for ensemble (2004)
- helix (2003-2004) , for Flute, Cello and Piano.
- Oh all to end (2003) , for Voice and 8 Musicians (Lyrics: �Stirring Still� by Samuel Beckett)
- Cock�s Tail (2003) , for Piano, Cello, Double-Bass and Drums
- Avarta (2003) , for Electr. Violin and CD
- Ellotia (2003) , for Orchester
- Desition Path (2002) , for one or more Bariton-Saxophones
- styx (2002) , for 6 Pianos/ 12 Piano-Players
- Copia (2001) , for 20 Musicians
- Sabbatical (2001) , for 16 Musicians
- Hundeherz (2000) , Chamber-Opera for 5 Singers and 5 Instrumentalists
- ven barbar ter (1999) , for Octet
- Das zweite Gesicht (1999) , Music-Theater for Singers, Actors, Choir and 8 Musicians
- Chjul (1998) , for C-Trumpet
- Double-Concerto for Flute, Double-Bass and Orchester (1997-98)
- 3 Piano-Studies (1996-97)
- Te (1996-97) , for Soprano-Voice und 2 Guitars (Lyrics: �Odysee� by Homer)
- Van Kachel (1996) , for Guitar
- Apon (1998) , for String-Quartet
- Diss (1996) , for Violin and Piano
- Idola (1995-96) , for Piano and String-Quartet
- Triktinon 1 (1994) , for 1 Piano/ 6 Hands
- Myriam (1994) , for Orchester
- Punti della croce (1994-95) , for Cello and Piano
- 2 Songs (1994) , for 36-voice choir and Brass-Quintet (Lyrics: �Ave Vergil� by Thomas Bernhard)
- Meion (1992) , for Alto-Recorder -2 Songs
(flute, clarinet, fr. horn, trombone, 2 perc., piano, violin, viola, cello, double-bass)
The music of �helix� follows a spiral motion. The spiral�the basic idea of the composition�is one of the oldest human symbols. It embodies endlessness and in many cultures symbolizes the entrance of divine, spiritual energy into the body. It also symbolizes death and rebirth.
�helix� passes through three stages of development�basic elements appear in space and chaotically condense until a living form appears.
(recording and performance of digital editing: Thymios Atzakas).
�Avarta� is the name of a rhythmic cycle from classical Indian music defined by the number of matras (regular beats). This particular composition is a cycle with 210 second-long beats. The matierial played simultaneously from CD is composed of unmanipulated �acoustic� sounds. The only manipulation was the stereophonic and temporal spacing of the sounds.
With this work the composer attempts to combine certain piano performance difficulties with theory systems based on arithmetical relations, which determine rhythmic organisation and tonal pitch.
The first etude makes use of the thumb and small finger of each hand as the melody carrier within a fast movement of sixteen-notes (complementary), shared by the two hands, without a certain measure.
The second etude utilizes the �digital pedal�, as the two hands are involved in a rhythmic relationship of 4 to 5 between them. The fast movement at the beginning gradually transforms into a moving surface.
The third study succeeds in creating a complex and complicated sound effect with simple means: one hand playing legato in a rhythm of eighth-note triads, while the other playing sixteenth-notes staccato. The independent accentuations of the two hands cause a metric �chaos�.